A narrative has been building around the film as a
moviegoing event that got the public excited about going to the movies again.
The Academy is desperate for ratings, especially after last
year’s ceremony, and a No Way Home nomination would undeniably
bring attention back to the Oscars in a big way. It would also be a way to push
back against the growing sentiment that they are out of touch with the average
moviegoer. However, I am not cynical enough to think voters are going to mark
their ballot based on wanting to improve ratings. The film would have to get in
on sheer passion, and with a film this popular and well liked, it’s not
impossible to imagine.
The only Marvel film the Academy has ever nominated is Black
Panther, which had genuinely Oscar worthy crafts, was a landmark in
representation, and had social commentary to boot. It worked well as a
standalone film and is one of few Marvel films where you the voice of the
studio doesn’t outshine that of the director. You don’t need to be invested in
the franchise to get the full experience. These factors made it easier to
package the film as an awards player. No Way Home, on the other hand, is
very entrenched in the Marvel Cinematic Universe with all its tie-ins, easter
eggs, and cliffhangers. There’s no talk about Jon Watts’ voice as a
filmmaker as much of the filmmaking feels like the default Marvel approach.
The most comparable film to No Way Home is Avengers:
Endgame, a big Marvel event film that left audiences in tears over
characters they’ve spent years with. It failed to secure more than a visual
effects nomination, likely for many of the reasons mentioned above. So why make
the case for No Way Home when Endgame didn’t stand a
chance?
Timing. Fortunately, the hype might still be fresh as we
head into Academy voting, unlike Endgame with its summer release
date. In addition, this year we have 10
guaranteed Best Picture slots for the first time in over a decade.
With this additional slot also comes a rule change were a film no longer needs
5% of the Academy to place it as their #1 vote to get in. It just needs to make
it onto enough top 10s. If this change were not in place, I would hardly be
considering the film at all.
Many pundits, myself included, feel pretty good about
predicting these nine films: Belfast, CODA, Don’t Look Up, Dune, King
Richard, Licorice Pizza, The Power of the Dog, Tick, tick… Boom! and West Side
Story, based primarily on the fact that all films were nominated at both
the Golden
Globes and Critics Choice awards. We are wracking our brains about what
that final slot could be. And Spider-Man may have just as good of a
shot as anything. However, it’ll likely struggle to muster up many other
nominations, perhaps only having a real shot with Best Visual Effects. It feels
somewhat likely that it will receive a Producers Guild Award nomination, (a
highly correlative Best Picture precursor), given that they nominated Wonder
Woman and Deadpool. But that could easily be dismissed as PGA being
PGA.
The Academy likes to award films that they feel represent
achievements in storytelling, performance, and crafts. Comic book films that
they’ve embraced thus far like Joker, Black
Panther, and The Dark Knight (I know it didn’t get Picture but
it got 8 nominations) were perceived as stylistically or narratively
daring. No Way Home falls more easily into the category of
blockbuster franchise popcorn entertainment, and I suspect Academy members will
sense that distinction, even if they enjoy the film. So although I concede it's
very possible, I am not currently predicting No way Home for a
Best Picture nomination. Check back here at CinemaBlend for more awards
analysis in the coming weeks.
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